Tony Trehy’s publications unite deep consideration of the language of his writings and concern for the delight in holding a beautifully designed and finished book.

Each book has been carefully developed so that the format of publication is closely integrated with the ideas and literary form of its content – whether this is the anonymous plastic cover of 50 Heads rejecting the assumptions of bookshop marketing to the multiple fold-out design of Reykjavik which mirrors the work’s question of whether a poem can be written which has no line endings.